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Back in March, a group of comic luminaries — from John Mulaney to Nikki Glaser — gathered at the Kennedy Center to celebrate O'Brien for receiving the Mark Twain Prize for American Humor.
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Youssef was in fifth grade and living in New Jersey when the Twin Towers fell. His new show, #1 Happy Family USA, draws on the experiences of his own Egyptian American family during that tense time.
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McBride, a Georgia native, has seen how Hollywood traffics in stereotypes about the American South. His HBO show satirizes televangelists without making religious people the butt of the joke.
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Crumb's comics were staples of 1960s counterculture. He's now the subject of a new biography. Crumb spoke to Fresh Air in 2005, and again, with his wife, fellow comic Aline Kominsky Crumb, in 2007.
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Thunderbolts* is unapologetically formulaic. And yet, Florence Pugh is terrific; the action is coherent; and the character dynamics strike the right balance of earnest sincerity and glib humor.
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When Amanda Hess learned her unborn child had a genetic condition, she turned to the internet — but didn't find reassurance. "My relationship with technology became so much more intense," she says.
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When do compromises turn into full-blown capitulation? Daniel Kehlmann's new novel draws on the true story of German film director G.W. Pabst.
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New York Times reporter Eric Lipton says the Trump family businesses, including their crypto company, are capitalizing on the President's position, and creating unprecedented conflicts of interest.
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Williams' FX/Hulu series follows a woman with terminal cancer who decides to pursue her own sexual pleasure. She says the show is about sex, friendship and "being scared and brave at the same time."
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Thomas' April 23 death at age 71 brings to a close one of the most significant avant-garde experiments ever conducted within the confines of pop music. Rock critic Ken Tucker reflects on his legacy.