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Amateur cyclist Bryan Fogel set out to make a film about doping in international sports. What he found was an scandal over a state-run Russian doping program, with links to the Russian government.

On Jan. 31, French media company Vivendi announced it would be selling a 10% stake in Universal Music to Tencent, underscoring the labyrinthine nature of global media in the digital age.

From being mistaken for Randy Jackson to confronting network executives about diversity issues, TV critic Eric Deggans runs down highlights of the two-week blizzard of parties and press conferences.

The pair have found and are maintaining a place for themselves in the professional songwriting world of Nashville.

Critic-at-large John Powers gives his due to the movies, TV and books he wasn't able to cover earlier in the year, including La Grazia, Andor, Mississippi Blue 42 and the documentary Mr. Scorsese.

Allison Jones is known for casting actors who look like real people — and who are naturally funny. One of her hardest conversations? Telling Bob Odenkirk he didn't get Michael Scott in The Office.

PBS has been a home for independent documentaries for more than 50 years. But with the closure of the Corporation for Public Broadcasting, nonfiction storytellers have to figure out a way forward.

NPR's Ayesha Rascoe speaks with DeWanda Wise about her role in "Imaginary." It's about a woman who returns to her childhood home and discovers her imaginary friend is neither imaginary nor friendly.

A new film directed by Kathryn Bigelow wonders how the U.S. would react to a nuclear missile launch of undetermined origin heading its way.

Chock and Bates, four-time Olympians, were heavily favored for gold. But they lost by less than two points to a French duo who has been clouded by controversy involving their former partners.