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  • A missile fired by an unmanned U.S. aircraft kills a key al Qaeda leader and five other suspected terrorists in Yemen. U.S. officials confirm the strike was a planned CIA attack. NPR's Tom Gjelten reports.
  • The FAA changes its tune regarding instruments on planes, the passing of "conduction" innovator Butch Morris, the stats on coughing at concerts and what the New Jersey Symphony board wasn't told about Richard Dare. Plus: violinist vs. composer and a music retailer's staff retaliates on Twitter.
  • The weeklong celebration of Kwanzaa is a perfect opportunity to revisit soothing, hearty winter foods, says celebrity chef Tanya Holland.
  • After two daily episodes, Das Coronavirus Update, a podcast by one of the world's leading virologists, shot to No.1 in Germany. When does a top coronavirus researcher find time to do a podcast?
  • Since 2008, Bella has been the city's most popular dog name. That's when the last of Stephenie Meyer's vampire-themed Twilight novels featuring heroine Bella Swan was published.
  • Janet Yellen is on President Obama's short list to replace Ben Bernanke at the Federal Reserve.
  • The dinosaur named Llukalkan aliocranianus was a predator with a menacing appearance and the ability to strike fear in its prey. Paleontologists said it roamed the Earth nearly 80 million years ago.
  • The Berlin Phil's Simon Rattle says the clock is ticking and the Chicago Symphony's Riccardo Muti has the flu. All the classical music world's news, collected for your pleasure. Plus: Sotheby's lets others sell violins and a tenor gripes about models.
  • Sandy's effect on classical musicians, creating a Cloud Atlas masterpiece and a Glyndebourne death: your guide to this week's must-read music news. Also: scientific research shows that dogs prefer Beethoven to Megadeth or even silence.
  • A string of sorrow this week after four artists' deaths, tempered by one very uplifting orchestra: catch up on all the week's news that you must know. A video game composer is up for a Grammy, Steinway may move out of its longtime home and a critic points out the inherent wackiness of opera.
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