Michaelangelo Matos
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                        The culture of electronic dance music has long been seen as a safe space for the marginalized, but over the past decade it took a sharp turn towards the mainstream.
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                        On knock knock, DJ Koze is more accessible than ever, without losing his essential strangeness. Róisín Murphy, Lambchop's Kurt Wagner and José González guest.
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                        Czukay, who died at his home — also his former band's studio — in Germany, was a classically trained musician whose influence seeped deeply into music history.
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                        Through the '80s, Minneapolis three-piece Hüsker Dü helped broaden the ambitions and parameters of punk rock. Now, after years of work, its early recordings have been rebuilt from the ground up.
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                        Prince has re-signed with Warner Bros. Records 18 years after an acrimonious split, and will release an expanded edition of Purple Rain in time for its 30th anniversary.
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                        The super-sized leading light of the new dance mainstream thrives at throwing the kind of one-off party that even a well-dressed, friendly audience in a regular-sized club can enjoy.
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                        It's fitting that this house-music collection comes out so soon after Daft Punk cleaned up at the Grammy Awards; it's a bedrock part of that band's roots.
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                        This year four releases, a Brooklyn party and a festival announcement confirmed a music continuum and a sensibility whose allure refuses to fade.
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                        Underground dance music is retreating from the EDM juggernaut by moving toward tastefulness. But in dance music, as in life, the line between polite and tedious is perilously thin.
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                        Recent collections of the musicians' outtakes enhance our understanding of transitional portions of monumental careers. That doesn't make them essential, though.
 
 
 
 
 
 
 
 
 
 
 
