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Marti Noxon first made a name for herself in Hollywood as a writer and producer on the Buffy the Vampire Slayer. Now, she makes her directorial debut with To The Bone, a film about anorexia.

Hallie Meyers-Shyer says she doesn't mind being compared to her mom, Nancy Meyers (Something's Gotta Give, The Intern). "She's synonymous with the genre and I think it's been a positive influence."

Allowing cinemas is part of a modernization drive by the Saudi government, which hopes to create more business opportunities and become a regional film hub. But it's a tough place to be a filmmaker.

When the creators of HBO's The Deuce approached Gyllenhaal about starring as a sex worker on the show, she accepted the role — but only if she could produce as well as act.

The new season of the Emmy Award-winning series finds Midge Maisel mired in personal crises, even as her comedy career is on the rise. David Bianculli says The Marvelous Mrs. Maisel remains a winner.

The U.S. needs to start treating the Internet like electricity or railroads, law professor and author Susan Crawford says. "We can't create a level playing field for all Americans or indeed compete on the world stage without having some form of government involvement," she says.

Writer-director Noah Baumbach's new film is a collection of loosely connected episodes that offer a revealing glimpse into the heart of a lively and fractious New York Jewish family.

Director Richard Linklater salutes the courage of our troops while casting a hard eye at the government machinery that sends them into battle. Justin Chang calls Last Flag Flying an elegiac comedy.

The 10-part series, available on DirecTV's Audience network, centers on a killer who uses his car as a murder weapon. TV critic David Bianculli says Mr. Mercedes draws you in and doesn't let go.

In 1982, Demme directed Who Am I This Time?, an hour-long comedy-drama for the PBS anthology series American Playhouse. TV critic David Bianculli says the show deserves to be remembered and watched.