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The Emmy Awards are on Sunday night, and you'll see the familiar face of super-host Neil Patrick Harris. While many faces will be familiar, the big question is whether Netflix — which was a DVD-mailing service what seems like yesterday — can win a big prize.

In bringing a cartoon toucan and an anxious songbird to screen, show creator Lisa Hanawalt has done something still rare: made an animated show about women friends, by women friends.

The rise of the opioid crisis is dramatized in a new Netflix series called Painkiller. Producer and director Pete Berg talks to NPR's Leila Fadel.

NPR's Michel Martin speaks with journalist David Sims about the new Netflix movie Murder Mystery and what makes a good movie for a streaming platform versus what does well in theaters.

Our list of the week's best albums includes the breezy pop upstart Clairo and the return of rising roots-country singer Tyler Childers, as well as a few words about Chance The Rapper.

Our shortlist of must-hear albums this week includes the acoustic, instrumental rock of Rodrigo y Gabriela, a byzantine concept album from The Mountain Goats, new Josh Ritter and more.

Based on a hugely popular Japanese manga (and anime, and live-action film series), this rushed and sloppy U.S. production Anglicizes the faces, but not the names.

The songwriter behind the much-beloved "Hey Sandy" returns after eight years with Dear Mark J. Mulcahy, I Love You; Fresh Air tech contributor Alexis Madrigal reflects on the online streaming and DVD rental service's bizarrely personalized microgenres; and a new HBO comedy takes place in the geriatric extended-care wing of a California hospital.

Subscription numbers are disappointing Netflix investors and the stock price has dropped. The company's plan to crack down on password sharing could backfire.

World Wrestling Entertainment flagship live show, Monday Night Raw, moved to Netflix. What does this deal tell us about the fight between streamers and cable companies for the future of live sports?