Suraya Mohamed
Suraya Mohamed is a three-time Peabody Award-winning producer, sound designer and editor. She currently serves as the project manager for Jazz Night In America and is a contributing producer on the Alt.Latino podcast. She also produces NPR's holiday specials package, including Tinsel Tales, Hanukkah Lights, Toast Of The Nation, Pink Martini's Joy To The World: A Holiday Spectacular and most recently Hamilton: A Story Of US. You'll also find her work on the Tiny Desk series as either a producer or engineer.
A graduate of the Peabody Conservatory of Music's with degrees in Viola Performance and Recording Arts and Sciences, Mohamed specializes in music and technology. Her Tonmeister (German: "sound master") classification is punctuated by her experience working as both an engineer and a producer in many genres.
With a wide range of musical interests and experience, Mohamed played bass in a high school go-go band, has worked as a substitute violist with the Baltimore Symphony Orchestra and currently performs with a Washington, D.C., indie-rock band.
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Here's a first: Steelpans at the Tiny Desk. It's true. Nearly a thousand performances into the series and the instrument has never been featured, until now.
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Despite some unexpected gear problems, the soulful R&B artist and his band locked-in and played a phenomenal set behind the Tiny Desk.
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Jazz Night in America's Christian McBride hosts this special, ringing in the New Year with four hours of jazz from the SFJAZZ Collective, Carlos Henriquez and more. -
The Tony- and Grammy-winning singer, actor, author and Hamilton star performs three songs from Mr, his genre-bending new solo album.
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Ella in Berlin: Mack the Knife is master class in why Fitzgerald is such a legend. Jazz Night In America breaks down the grace under pressure and improvisational skills on display in this performance.
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Tasha Cobbs Leonard is widely regarded as one of the best gospel singers performing today. Her set at the Tiny Desk moved many at the NPR offices to tears. -
Scottish singer, songwriter and essayist Karine Polwart seldom comes stateside, eschewing air travel to reduce her carbon footprint. But on a rare, recent visit, she stopped in D.C. for a Tiny Desk.
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After back-to-back performances in South Africa, Argentina, Chile and New York, Payton hit the Tiny Desk, where he dazzled the audience, simultaneously playing his trumpet and a Fender Rhodes.
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The jazz singer, who used to be into radical feminist punk, now composes and sings beautiful jazz ballads.
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The pianist merges jazz and poetry together to make a multi-movement work that explores themes of the human condition.
