
Rhaina Cohen
Rhaina Cohen is a producer and editor for NPR's Enterprise Storytelling unit, working across Embedded, Invisibilia, and Rough Translation.
Previously, she was a producer for Hidden Brain, where she brought together narrative journalism and social science research. Some of the most rewarding stories she worked on include those about why the #MeToo movement took off when it did, how American masculinity makes it harder for men to build close friendships and why we sometimes make decisions that baffle us. Cohen joined NPR as an intern for Planet Money.
She periodically writes for outlets such as The Atlantic, The Washington Post, and The New Republic. Her article about people who make a friend their life partner was selected by Longreads as one of the best articles of 2020. She received some of her earliest journalism training as a research assistant for authors. She worked on the New York Times bestselling book All The Single Ladies: Unmarried Women and the Rise of an Independent Nation and the biography Michelle Obama: A Life.
Cohen was a Marshall Scholar at Oxford, where she earned a master's in comparative social policy (and while there, competed in a dance style that hasn't yet taken off in the United States: acrobatic rock 'n' roll). She holds a bachelor's degree in American Studies from Northwestern University. As a 2018 FASPE fellow, she studied journalism ethics in Germany and Poland.
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It can seem arbitrary the way certain people fascinate us. But researcher Elizabeth Currid-Halkett says celebrity has a formula. So does being part of any social group — perhaps even your own.
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In the last five years, 12 percent of terrorist attacks in the U.S. were carried out by Muslims and more than 50 percent by far right extremists. So why the media focus on "Islamic terrorism"?
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Olutosin Oduwole was a college student and aspiring rapper when he was charged with "attempting to make a terrorist threat." We explore how perceptions of rap music may have played a role.
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This week on Hidden Brain: coincidences. Why they're not quite as magical as they seem, and the psychological reasons we can't help but search for meaning in them anyway.